September 23, 2019
On Jan. 14, 2015 prosecutor Alberto Nisman went on TV to accuse Argentine President Cristina Fernández de Kirchner of negotiating the impunity of Iranians accused of the Buenos Aires’ 1994 AMIA bombing, the biggest terrorist attack in the Western hemisphere before 9/11.
“There was an alliance with terrorists, negotiation with a state that bought the terrorists and the terrorists themselves,” said a dapper Nisman, in the interview which appears in the early stretch of Justin Webster’s deeply-caring, meticulous “The Prosecutor, the President and the Spy,” a six-hour doc series which world premiered Monday at Spain’s San Sebastian Film Festival.
Four days later, and on the eve of testifying in court, where he promised decisive proof of the collusion, Nisman was found dead in his bathroom with a single shot to the head. His death reverberated around the world.
Immediately, Kirchner is accused of ordering Nisman’s murder. She denounces the man described in “The Prosecutor” as Argentina’s Rasputin, the fearsome Antonio Horacio “Jaime” Stiuso, a spy with close links to the CIA and Mossad, of conspiring against her.
Produced by Barcelona’s Justin Webster Productions and Fasten Films, Berlin’s Gebrueder Beetz Filmproduktion and backed by Movistar+, ZDFinfo and DR, “The Prosecutor, the President and the Spy” is “a story of ambition, corruption and espionage which unfolds, with rival narratives of good and evil, of suicide or murder, and of truth itself, around a body found in a bathroom, with enormous international resonance,” its makers say.
“The Prosecutor” will be “an earthquake” in Argentina, predicts San Sebastian Festival director José Luis Rebordinos.
It is also Webster’s most original and most ambitious series to date – building on “Death in Leon,” the Emmy-winning “Six Dreams” and HBO España’s “The Pioneer” – marking the full emergence of an auteur and the creative and industrial potential of a form of story-telling with which he admits he’s obsessed: Cinematic non-fiction series.
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